The Last Duel is Ridley Scott’s lowest box office premiere ever
After raking a meager $ 4.8 million in its box office debut, the epic Ridley Scott The last duel enters the flop zone. The film won the title of Scott’s Least Performing Premiere, according to Hollywood journalist. Whether it’s poor marketing, an older target audience, or the competition Halloween kills… that’s all to be debated. Corn The last duel is a significant dip for the prolific director behind such hits as Extraterrestrial, Blade runner, and Gladiator.
The 14th century French film touted heavyweights Matt Damon, Adam Driver, Ben Affleck and Jodie Comer, and has so far received rave reviews from critics. However, he simply didn’t perform when it comes to selling theater tickets, earning a fraction of his $ 100 million budget.
Prior to The last duel, Scott’s biggest flop was the tale of the colonization of Christopher Columbus, 1492: Conquest of Paradise (1992), which brought in only $ 7 million.
Really, most of the movies that have thrived this year have been Marvel feature films, such as Black Widow, Venom: let there be carnage, and Shang-Chi and the Legend of the Seven Rings. Horror movies like the recent Halloween kills, A Quiet Place, Part II, and Candy, have also been successful. Even that of M. Night Shamaylan Old, about the beach that ages, made $ 16 million on opening weekend.
No time to die pulled into a higher age bracket for its solid first weekend, but that’s typical for the demographics of older Bond fans. Ticket sales are still on the decline heading into its second weekend, and the film is far from breaking even with its high budget cap.
While superheroes and scares may be successful in getting people out of their homes and into the theater this year, the current trend doesn’t bode well for slow-burning dramas like The last duel.
The next test will be Denis Villeneuve‘s Dune, which opens in US theaters this weekend. Many films have been supported by dual streaming / theatrical release, and Dune Follow suit with HBO Max premiere at night before he arrives in theaters. Still, the industry is hoping this month’s release will trigger an avalanche of constant movie theater attendance.
âSomeone had to go first. We stood up and the film is doing well. Once people start to come back, they will keep coming back, âsaid Erik Lomis Hollywood journalist. Lomis is currently President of Distribution at United Artists Releasing, which manages No time to die in the States.
However, as one studio director put it, “The business can’t just rely on Marvel characters.”
Scott has another chance to get out of the park this year with another driver-led feature, The Gucci House, with Lady Gaga.